“Nollywood”—a play on both “Bollywood” and “Hollywood”—is a new film genre that speaks to the everyday experiences of Nigerians with its bumptious, melodramatic, quickly made films that tell urban stories infused with voodoo and magic and, according to Nollywood Babylon’s filmmakers Ben Addelman and Samir Mallal, “reflect the collision of traditional mysticism and modern culture,” including Christian evangelism