Dark and Disruptive Grace
Still, something's odd about selling Flannery to Christians. Even when people know about her superior technique and Christian frames, they still usually choke after a story or two. Too rough. Too troubling. They're not hard to read, they'll admit, but still, there's all that weirdness
and death.
And that's what disturbs many readers. They don't want their grace black. It feels like an alien faith to them, and they resist it. O'Connor herself heard this complaint. In her essay "The Catholic Novelist in the Protestant South," she argued against that pietism typical of
Christian readers: "The reader wants his grace warm and binding, not dark and disruptive."
That sort of writing goes down easier because we don't really believe it. It feels like someone else's world. It's alien enough
that we're not truly threatened. But O'Connor's world is too close. And if her picture of dark grace is right, then our typical take on life fails.
clipped from: www.credenda.org